Lynyrd Skynyrd’s #2 LP, the aptly titled Second Helping, was served up on April 15, 1974. It’s now widely considered a first-tier 70s Southern rock album, right up alongside the several releases by the god-band, Georgia-based Allman Brothers Band. But Skynyrd cooked up a grittier, harder-edged platter of Southern blues-rock. Many will argue that they were the real Southern rockers (even when Allman fans chime in). Whatever your bend, Southern rock peaked about the same time Second Helping. It is unquestionably a showcase album.
For a young-but-bar-scene-seasoned band, Skynyrd explored the edges with “Sweet Home Alabama” and “Workin’ For MCA.” The former’s a now-classic retort to Neil Young’s self-righteous condemnation of southern American history (sings Skynyrd’s Ronnie Van Zant: “we don’t need him around, anyhow”). The second’s a thinly-veiled shot at their growing dissatisfaction with the music business (guys, aren’t you biting the hand that feeds you?). Add the spunky “Don’t Ask Me No More Questions,” the rocking drug-fest of “Needle And The Spoon” and a Dr. Rock-favorite in the rollicking “Call Me The Breeze,” and Second Helping’s everything is billed to be – first-rate, kick-ass Southern guitar rock.
Like its predecessor (Pronounced Leh-nerd Skin-nerd), Second Helping was produced by Al Kooper, the terribly under-appreciated but still-legendary blues-rock god (founder and leader of The Blues Project and Blood, Sweat & Tears) and producer for the 60s pop-rockers The Zombies, among others. Kooper coaxed the best out of Van Zant and his bandmates. The result really is one of the best Southern blues-rock albums of all-time.