David Bowie’s 24-odd mainline albums evidence his unusual skill at adapting himself, his wardrobe and his music to changing times and genres. That’s why he frequently called “The Chameleon.” Bowie’s 9th studio album, Young Americans came out on March 7, 1975 and heralded a self-termed “plastic soul” phase in which he briefly embraced the sounds of 60s and 70s American R&B music.
The blue-eyed soul of Young Americans followed Bowie’s late-60s start as a pop and music hall performer, the hard rock of The Man Who Sold The World (1970) and the glam-rock of Ziggy Stardust in the early 70s. But plastic soul was short-lived. Within a year, Station to Station moved him to an avant-pop mode, and 1977’s Low transitioned further into an electronic, synth-pop sound.
Young Americans had a #1 single in “Fame” (co-written by John Lennon, who also provided backing vocals) and a lesser hit with the title track. The album itself made it into the Top 10 in both the U.S. and U.K. It’s available on Amazon and iTunes. Check the Playlist Vault for my interpretation of Bowie’s 25 best songs.